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Women: Not coming soon to a theatre near you

Lisa Whittington-Hill

An in-depth review of Hollywood’s problem with women “You could try to hold your camera like this… but your breasts would probably get in the way.” “Women do not belong on set unless they are in hair and makeup.” “Your main job is basically to be my work wife. You need to anticipate my needs. […] More »
March-April 2015

The Trope Slayers

Nadya Domingo

Métis in Space is a hilariously smart take down of Indigenous stereotypes in popular science-fiction LAST SUMMER, friends Molly Swain and Chelsea Vowel were having a rough time, and looking for an excuse to spend more time together. Swain and Vowel, who are both Métis and live in Montreal, came up with a solution to […] More »

Oh, The Horror: Holy horror

Hana Shafi

Thanks to horror movies, I could probably perform a perfect exorcism. I know exactly what demons to look out for, the ways in which they can deceive you during an exorcism, and how to request permission to do one. It’s probably not the most useful thing to know, but I have to admit that much […] More »

Oh, The Horror: Hetero Horror

Hana Shafi

Where are all the gay people in horror? There are wide arrays of hellish creatures, no shortage of ideas on how to creatively murder someone for the big screen, and more nonsensical plot twists than I can count. Yet, in this huge vastness of horror ideas, one thing remains ever constant: horror is heteronormative. Almost […] More »

Oh, The Horror: Rise of the torture film

Hana Shafi

One of the most pervasive and totally gross movie trends of the 2000s is the notorious torture film genre—sometimes dubbed “torture porn” or “gorno” (a combination of gore and porno). I may be horror-movie obsessed, but I make it a rule to not watch torture films. They’re the scourge of the horror genre, representing a […] More »

Oh, The Horror: Demons and women’s sexuality

Hana Shafi

Exorcisms are a distinct, massive subgenre in horror films for good reason. There’s just something about watching a good ol’ demonic possession movie that always hits the spot for horror movie cravings, mine especially. Even though the subgenre tends to recycle the same essential plot, it somehow never fails to frighten. Besides, it’s always interesting […] More »

Oh, The Horror: Night of the Living Dead

Hana Shafi

Horror is an endlessly fascinating genre. The idea alone is weirdly sadomasochistic—it’s a genre that profits off watching fictional characters get scared, attacked, murdered, while simultaneously scaring the viewers themselves. But taken at a deeper level, horror explores the disturbing side of human nature, our own twisted, often unspeakable, fantasies coming to life on the […] More »
July-August 2010

It’s not TV. It’s George F. Walker

Emily LandauWebsite

After decades of populist programming, serialized television has blossomed into an auteur’s medium over the last decade. This new golden age is marked by subtle characterization and complex narrative: American cable networks such as HBO and AMC have pioneered the revolution with series like The Sopranos, Mad Men and The Wire. Here in Canada, playwright […] More »
May-June 2010

A new generation of Quebec filmmakers captures a culture adrift

Patricia Bailey

Young Québécois filmmakers are rejecting the commercially successful nostalgia movies of recent years in favour of suburban ennui, substance abuse, and suicide. Get ready to get gloomy! The title of Quebec director Stéphane Lafleur’s Continental, un film sans fusil (Continental, A Film Without Guns) is not only a playful warning to viewers seeking the adrenaline […] More »
May-June 2010

In Canadian film’s small world, creators and critics are too close for comfort

Dorothy Woodend

The epic wars of the past between filmmakers and critics—Vincent Canby’s mano a mano with James Toback, James Cameron going cuckoo for Cocoa Puffs on any critic who looks at him funny, or the minor dustup that happened at last year’s Sundance Film Festival, in which a producer’s rep was punched in the face by […] More »
July-August 2008

Mainstream success threatens cult cinema’s sleazy charm

Dorothy Woodend

Tell someone you like science fiction, fantasy or horror films and you might get “the look.” A look that says, “Are you silly, immature or, worse, pervy?” Fans of genre cinema—the term applies to many different categories of film but is most commonly applied to sci-fi, fantasy and horror—have long had a bad rep as […] More »