THIS

Progressive politics, ideas & culture

Menu

Howard J. Davis

March-April 2017

New film takes a much-needed glance into Canada’s uncomfortable past with racism and slavery

An inside look at Howard J. Davis's C'est Moi

Melissa Gonik

She strolls softly through a deserted modern-day Montreal. Her outfit—and the way she seems to float through the streets—indicate her lack of connection to this modern scene. This is Marie-Josèphe Angélique, a slave “owned” by François Poulin of Montreal in the early 1730s. Canadian filmmaker Howard J. Davis uses his film C’est Moi as an […] More »