In the fall of 1973, a young photographer arrived at the office of This Magazine with some remarkable photos of strikers outside a small Toronto factory called Artistic Woodwork. Immigrant workers, organized by the Canadian Textile and Chemical Union, were striking for their first contract. The photos were remarkable in both their intensity and intimacy…. More »
I joined the board of Native Earth Performing Arts, in Toronto’s Distillery District, several years ago, and quickly discovered the best perk of the office is watching a performance evolve through rehearsal. Seeing the actors figuring out their moves together, adjusting dialogue, and dissecting the meaning of the play, and then witnessing opening night when… More »
The hotel hallway is empty, save for trays of dirty dishes stacked on the muted blue carpet and on a room-service cart along the beige walls. A man in a loose tie bends over the cart, holding a glass of red wine and stooping tentatively over a half-eaten plate of food. He reaches for a… More »
Nina Arsenault has spent a fortune changing her appearance from male to female. The 37-year-old used to work in the sex trade, but now supports herself as a playwright, performer, and motivational speaker to queer youth. Her one-woman show, The Silicone Diaries, recently had a second highly successful run in Toronto, was later performed in… More »
Mijok Lang may not know how old he is, but he has no doubt where he comes from. He remembers, as a child, singing a familiar tribal song with friends. It was the only way, he says, that they could keep lions and other animals at bay in the jungles of Sudan and Ethiopia as… More »
Calgary is not a place to stay. A cultural wasteland with a boom-bust oil economy where hard workers can make their money before moving to a “real” city with “real” arts and culture—but not a place to stay. This is an all-too-common belief about Calgary. But skeptics should take a closer look at the Heart… More »
Dance is an art form often discussed in terms of its complexity and mystery. “How can we know the dancer from the dance?” W.B. Yeats famously asked. One wonders, then, what he would make of dance film. For when you add a second layer—the dance of a director’s eye and viewfinder around the dancer—you get… More »
Nggrfg. For most people, the title of Vancouver actor and playwright Berend McKenzie’s play is nearly unsayable. But for McKenzie, naming his one-man play after the two slurs that plagued his childhood is the best way to understand and neutralize hatred. Audiences seem to agree: his play was a hit at the Edmonton and Vancouver… More »
“Arts For All”: that’s the motto of Winnipeg’s 2010 reign as the cultural capital of Canada. While the idea is a worthy one, the fact is, our nation is home to some of the most expensive, least accessible museums and galleries in the world. Earlier this year, the Canadian Index of Wellbeing reported that expensive… More »
In one room of their tiny apartment in a suburb of Damascus, Iraqi artists Bassam and Zahra have set up their studio. It has all the necessary trappings scattered around in a colourful mess: sketches, wooden easels, tubes of pigment, paint brushes soaking in plastic buckets filled with water. Some of Bassam and Zahra’s finished… More »